Biography
Estonian-born composer Jonas Tarm writes music shaped by his country’s rich choral tradition, combining contemporary concert music with a cinematic sense of atmosphere and emotional narrative. Based between New York and Tallinn, his work spans the concert hall, film, and interdisciplinary collaborations, frequently exploring themes of memory, belonging, and the idea of home. Whether writing for choir, orchestra, or screen, Tarm is drawn to music that creates emotional landscapes through clarity, atmosphere, and expressive storytelling.
His music has been commissioned by leading orchestras and ensembles, including the Estonian National Symphony Orchestra, the Tallinn Chamber Orchestra, the New York Virtuoso Singers, Boston Musica Viva, the New York Youth Symphony, and the Estonian Song Festival. His works have been performed internationally by ensembles including the Württemberg Chamber Orchestra Heilbronn, Camerata Notturna, and the Tallinn Chamber Orchestra.
Alongside his concert music, Tarm is an active film composer. His recent scores include Béla Baptiste’s award-winning The Obelisk, recorded with the Collegium Musicale choir, and Nathan Hilgartner’s feature film No Choice. He has also contributed to productions including Charlie Kaufman’s I’m Thinking of Ending Things (Netflix), M. Night Shyamalan’s Old, and Benjamin Cleary’s Golden Globe-nominated Swan Song (Apple TV+), working across creative and music production roles.
Tarm’s music has been performed internationally at venues including the Forbidden City Concert Hall (Beijing), New World Center (Miami), Merkin Hall (New York), and the Pärnu Music Festival, and has been frequently broadcast by Estonian Public Broadcasting (ERR).
His work has been recognized with the ASCAP Foundation Morton Gould Young Composer Award, the Black Nights Film Festival Music Meets Film Award, and the National YoungArts Award.
A passionate supporter of Ukraine, Tarm co-founded Estonia Sings for Ukraine, a nationwide fundraising initiative that brought together thousands of singers in support of humanitarian relief through his arrangement of Oi u luzi chervona kalyna.
Tarm earned bachelor’s and master’s degrees in composition, both with honors, from the New England Conservatory, where he studied with Michael Gandolfi, Anthony Coleman, Stratis Minakakis, and other distinguished composers and conductors.
Awards
ASCAP Foundation – Morton Gould Composition Award
WorldFest-Houston International Film Fest – Silver Remi Music Award
Camerata Notturna Composition Competition
National YoungArts – Finalist (1st Rank)
New York Youth Symphony First Music Composition Competition
Black Nights Film Festival – Music Meets Film Award
Music Teacher’s National Association (MTNA) – 1st Place Composition Award
New England Conservatory’s Orchestral Composition Competition
Music Institute of Chicago’s Generation Next Competition
Illinois Music Educators Association – Composition Award
Kal Novak Musicianship Award
Collaborators
Academic Female Choir of University of Tartu
Boston Musica Viva
Camerata Notturna
Cardinalis of William Jewell College
Estonian National Symphony Orchestra
German Federal Amateur Orchestra
Järvi Instrumentalists
M4GNET Quartet
Music Institute of Chicago’s Academy Orchestra
New England Conservatory Symphony
New World Symphony Players
New York Virtuoso Singers
New York Youth Symphony
Tallinn Chamber Orchestra
Wurttemberg Chamber Orchestra Heilbronn
Robby Brown, guitar
Peter Eom, cello
Alexander Hersh, cello
Jacob Hiser, piano
Alec Holcomb, guitar
Joonatan Jürgenson, piano
Martin Kuuskmann, bassoon
Rene Laur, saxophone
Chris McCarthy, piano
Taeguk Mun, cello
Kenneth Renshaw, violin
Brendan Tarm, cello
Inmo Yang, violin
Hee-Soo Yoon, violin
Beginnings
Jonas started studying music in Estonia. At 7, he began violin studies at Tallinn’s Vanalinna Hariduskolleegium, and also sang in one of the school’s boys choirs. At 10, his family moved to Chicago, where his musical education kicked into high gear, including violin studies with Portuguese violinist Gerardo Ribeiro and composition with Matthew Hagle at the Music Institute of Chicago’s Academy. Jonas began collecting scores at age 12, with an early fondness for Mahler and Beethoven. At 14, he completed his first composition Départs for solo piano.




Top photo: Bela Baptiste